Johnny winter tattoos3/16/2024 ![]() Goode", he came over to Paris' side of the stage, stood behind him and they did 'the arm swap' playing each others' instruments. Near the end of the show, probably on "Johnny B. Since I'd worked my way to the front of the stage before they started I wound up in front of Paris instead of Johnny but hey, I was there! When he switched to the Firebird for slide it was a whole other world for me. His touring band was Jon Paris on bass & harmonica and Tom Compton on drums, who had previously played with that other blazing-at-the-speed-of-light BluesRock guitarist Alvin Lee. ![]() He came out decorated with tattoos that looked like watercolors on his albino skin and wailed. That went out the window when he finally did hit the stage. "Intimidated" doesn't begin to describe it. And then there was little 15 year old me, attending the concert with my mom since I was underage, surrounded by all these 8 foot bikers with hair down to their waist, covered in tattoos and out of beer. In the meantime the club ran out of beer. Ezra Charles and The Works opened the show with a hot set of piano driven Rock 'n' Roll ala' Jerry Lee Lewis and then Johnny took forever to hit the stage. Unable to contain my excitement I bounced off the walls for a week beforehand. Lonnie Mack and Johnny Winter both did some of their best work on Alligator.Īugust of that year I attended my first concert, Johnny Winter at Stage One in Houston. Alligator Records was also instrumental in revitalizing the careers of a few Blues-Rockers, getting them back to their roots rather than trying be commercially appealing. This was arguably one of the best periods for Winter Stevie Ray Vaughan had kicked off another Blues revival a few years earlier and Bruce Iglauer's Alligator Records was reviving the careers of many older Blues artists while introducing new ones. "Master Mechanic" and "Ain't Your Business" were among the first songs I learned. Somewhere around the age of 15 I bought my first Winter album, Serious Business, the second of his three Alligator albums. The term "Blues-Rock" is too frequently applied to any Rock guitarist who aspires to play Blues but to be a true Blues-Rocker like Winter, SRV or Rory Gallagher requires being a dyed-in-the-wool Blues player first and, because you're a long haired white guy, blowing the roof off a Rock audience who may or may not be hip to Blues. Johnny Winter has been one of my biggest guitar heroes from the time I first picked up the instrument right through to the present.
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